Tag Archives: KNIFSHIC

The Beautiful Art of Korean Gayageum In Modern Times

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GAYAGEUM

Photo Courtesy of Gettyimagesbank

In ancient times the soft, earthy, delicate silken sound of the gayageum (Korean Zither) echoed across Korea. It accompanied singers, dancers and drummers in their artistic collaborations, and now today this ancient Korean instrument has found its way west. The Gayageum has a long history in Korea, once was an instrument played for royal palace celebrations. Scholars believe the gayageum was inspired by the guzheng, which is an ancient instrument from China. In the 19th century the sanjo gayageum was born, Sanjo means “scattered melodies”, which has moments of improvisation and fast tempo. During this time new works were written for the sanjo gayageum which has become the most standard version of the instrument today. The sweet honey like sound of the instrument comes from its silk strings, and the traditional paulownia wood body of the instrument.

Over the course of its long history, construction and the composition of many folk pieces, the gayageum has made its way into the western music world. Dazzling audiences with its rich sound, the gayageum has become a famed instrument across the world. One remarkable aspect of the Korean gayageum is its ability to fuse harmoniously with different instruments, creating an atmosphere of old and new. Contemporary Gayageum performers have gone viral on social media platforms for their new, exciting and innovative works on the gayageum. One of these creative masters is Koreas own, Luna Lee. Check out the groundbreaking work Luna is creating in this video.

With the global appreciation of gayageum music, new collaborations are taking place. These collaborations are paving grounds for future artists and creatives, and also building a cultural base for world music enthusiasts to enjoy today. Many people across the world have taken up learning the gaygeum, and in doing so, also learning new ways of expression for themselves. This global cultural exchange fosters a deep profound appreciation for gayageum, and its relevance in todays contemporary world. The art of gayageum represents a rich and ancient lineage, a balance of harmony and innovation, as well as the timelessness and elegance of Korean tradition.

Shamisen In Modern Music

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The Shamisen is a traditional Japanese 3 stringed instrument, shamisen meaning ” three strings” in Japanese. This lute like instrument has its origins in China where it is named sanxian, also meaning ” 3 strings” in Chinese. Both Shamisen and Sanxian were instruments used by common folk, and the history of the pieces played on these instruments reflects its evolution through the centuries. The Shamisens construction varies, usually changing depending on musical genre. Shamisen used in Kabuki are usually called Nagauta Shamisen, and shamisen from the northern Tsugaru peninsula is called Tsugaru Shamisen. Nagauta Shamisen music is very elegant, with unique tone bends and ornamentations that highlights this musical genres flavors. Tsugaru folk music is a bit more intense, fast in tempo and incredibly complex, exciting and very bright to the listeners ears. Below are some videos of Shamisen in all its glory:

Here is a video of Nagauta shamisen

Here is a video of Tsugaru shamisen

This traditional Japanese instrument has gracefully found its way into the modern world, captivating the global audience and leaving music enthusiasts in awe. With only 3 strings, a pick ( bachi) and a sound chamber, this instruments simple construction reflects its long history. Although this instrument is steeped in tradition it has become popular in many contemporary pieces and genres, highlighting its versatility. In the hands of skilled innovative musicians the shamisens voice carries the voice and soul of ancient Japan into contemporary musical genres.

The Yoshida Brothers have become masters of both traditional and contemporary music taking the world by surprise with their virtuosity. Here they have transformed shamisen music, bridging east and west.

Music is a language, and the shamisen in modern music is creating new possibilities for cross cultural musical conversation. This cross cultural conversation enlightens us, teaching music enthusiasts the many unique ways of expressions across the globe. As Japans national instrument, the shamisen will add a new flavor to the global palette for many generations to come.

~Jarrelle

Transforming The World Through Art

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” The only way to make sense out of change is to plunge into it, move with it, and join the dance.”

~Alan watts

The power of art is incredible, it has a remarkable way of calming the mind and the body, bringing out emotions, and telling stories. Art is a strong framework of challenging social, cultural and political norms, inspiring dialogue and creating empathy among people. Art has the ability to transcend language barriers, igniting emotions and reaching deep into the hearts of many across diverse backgrounds. Artistic expression challenges oppression, and promotes equality, giving a voice to many. Art is a dance, and it is a brush on paper, it a bringing together of communities, and a questioning of the current state of affairs. Art is the power to transform the world.

The unique multifaceted ways in which an artist can bring to life a dream, a vision, or a sound or emotion shows the power of art. When used to promote change, art can be the healing and peace that we need. Through sharing our stories we learn more about each other, and in doing so we unite. We can form strong, safe, culturally diverse communities that promote and value culture, traditions, and education. There’s no doubt that art has the ability to make change. Art can also be a great form of relaxation, taking the mind away from depressive thoughts and instead focusing on hope, creativity, and the moment. Many who struggle with isolation can find peace and comfort in creating art, and collaborating with other artists on projects.

Art has no walls, no borders, the language of art is universal. Many BIPOC artists have created masterpieces that did not get the same respect as western white artists. We are moving into an era of ending racism, ending hate, building stronger communities and our modern art reflects that. BIPOC artists have laid down a foundation, a great and colorful path for creatives today and of the future to build and add on to, this road of art is the birth of peace.

Jarrelle

Wrapping Dumplings

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Everyone the world over loves those little yummy meat and veggie filled pouches of goodness better known in China as Jiaozi (饺子),and when panfried to golden perfection they capture both the culinary highlights of steamed and fried flavors, and are known as potstickers, Guotie or (锅贴). The savory and delicate flavor of these dumplings compliments just about any dish, goes with any meal, or sometimes a nice cold beverage.

Its said that the history of jiaozi dates back to at least the Han dynasty AD 25–220 by Zhang Zhongjing who practiced Chinese traditional medicine. Wrapping jiaozi has been a long tradition of China and many other Asian countries. Jiaozi are a common food during the Lunar New Year, they are said to bring luck, wealth and prosperity to anyone who eats them. Many Chinese families will get together and wrap dumplings, chat, and wish each other a happy new year. Dumplings symbolize togetherness, and have such a great importance in Chinese culture.

Photo:In north China, folded jiaozi are placed on bi (箅), in case the stuffing will make the shape saggy. Bi is made by dried sorghum stems, and it also gives Jiaozi a mark at the bottom. wikipedia

There are many ways in which these yummy flavor filled pouches can be prepared and enjoyed. They can be served with a variety of sauces, but sometimes best enjoyed with a dipping sauce made from soy sauce, sesame seed oil, and vinegar. Some of the ways in which they are prepared are by:

  • Boiled- Shuijiao 水饺
  • Steamed- Zhengjiao  蒸饺
  • Panfried- Jianjiao 煎饺
  • Deep-fried- Zhajiao 炸饺
  • Soup- Tangjiao 汤饺

If you haven’t tried jiaozi before you are missing out! You can find them easily at your local Asian restaurants. You can also find some amazing recipes that vary depending on region in China and country in Asia, with such a wide variety of ways to make jiaozi you won’t be dissatisfied on your dumpling search! For the best and most authentic dumplings join your Chinese friends for Chinese New Year, there will probably be some homemade dumplings at the New Years party!

Jarrelle

The Art Of Bonsai

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Photo: John Naka, Wikipedia

Many people the world over have seen Bonsai, maybe on movies such as Karate Kid, or at their local conservatories. Maybe even some people have friends, or relatives who raise the tree’s, or they have seen Bonsai in a garden center. These stunted trees have a very long history that goes back thousands of years to ancient China and Japan.

The word Bonsai derived from the Chinese word Penzai (盆栽) which means potted plant. During the Tang Dynasty Penzai was at its stylistic height. The stunted trees were favored by Buddhist monks, scholars and royalty. The trees were planted in shallow trays and decorated scholars rooms, temples and courtyards. It was common to display your tree for guests, especially if it were of flowering or fruiting variety. Bonsai were sometimes put on both sides of Buddhist statues as well. These little trees were found in nature by scholars who enjoyed the beauty of what nature can create. These scholars would travel risking their lives many times, to collect trees from the wild which had great potential to become a piece of living art. These wild pieces of art are extremely rare, they are rare because of the conditions needed to create them. Hundreds of years of wind cutting the tree back, storms, lack of nutrition in mountain soil, and roots restricted by rock can sculpt a tree into a beautiful piece of art that scholars prized and named literati.

Japanese scholars and Buddhist monks fell in love with the Chinese Penzai and brought them back to Japan where they were then pronounced as Bonsai (盆栽). Over many years the Japanese refined the art form and were inspired by the nature and organic perfection of pine trees. In 1950 John Naka (better known as the father of American Bonsai by Bonsai enthusiasts) and his friends established the California Bonsai society, which became an important vehicle for the birth of Bonsai in the United States. Master Naka was known for his work with forest plantings and conifers, and he used mostly native variety of trees in his projects. In 1976 Japan gifted 53 Bonsai to the United States which then eventually led to the founding of the National Bonsai and Penjing Museum in Washington D.C.

Photo: Asian Media Access

These little trees depict natural scenes, forests, and can even look like distant mountains with rivers and fog when created and maintained by a professional Bonsai artist. Have a look at the photo below, notice the illusion of distance in the planting. Such small trees can have a big artistic impact on the viewer.

Photo: Asian Media Access

The Chinese are famous for their masterful rock and tree plantings. The plantings range in size from less than a foot to well over 4 feet. One can say that it was the scholars visions of China’s great mountains that led to this style of this art today. In Japan the rock plantings are also popular, at one point they were much smaller than the Chinese plantings however Bonsai expert Masahiko Kimura totally went bold and created large masterful rock and tree plantings.

Photo: Alejandro Sartori

Photo: Alejandro Sartori

Today we are so lucky to be able to witness this incredible art of sculpting beauty with living wood. We can see the vision of the Bonsai or Penzai artist, we can see the distant mountains, forests and streams through their eye. If we can silence our inner-selves and allow the magnificent beauty of these trees to speak, we will be able to appreciate and be moved by these living works of art.

Jarrelle

Music Theory And White Supremacy

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Heavenly music is interpreted differently by everyone.

Chinese proverb

Any music student, regardless of skill, will most likely have to learn western music theory. What is music theory?, well, Wikipedia says “Music theory is the study of the practices and possibilities of music.”~ Wikipedia. Across the globe civilizations have been playing some form of music for quite a long time. Music has been a part of human evolution since the start, was it called music at that time? probably not. But, this does not mean that humans did not relax to the sounds of song, instrument, or percussion. Music can be found in every culture, sometimes it takes form in ceremonies, or it may have been enjoyed for leisure, whatever the case we can say for certain that music does exist in all cultures.

As an African American Guzheng performer, instructor and composer I often meet many musicians, some who are quite skilled in their music, and very knowledgeable in music theory. My training on the Guzheng was quite traditional, I did not learn Western music theory (which is forced on every musician today), I learned Chinese music theory. China has a very long musical tradition which has been documented and practiced for thousands of years. For example, the Guzheng 古筝 has existed for around 2500 years, the Guqin or 古琴 around three thousand years old, and the bronze bells 编钟 around 3,600 years old, and the Se or 瑟 of the Zhou dynasty 1045–771 BC. The list of ancient instruments in China is long, and notations for these instruments have been documented. Unlike the Western European music theory which uses a staff and dots to read, the Chinese developed an ancient thousands of years old numeric musical notation called Gong Che or 工尺 which is still used among the very small group of traditional musicians today. With modern westernization, traditional arts are transforming, some traditions are also dying. We must think about the importance of cultural arts, and not allow the modern world to kill what has held nations together, influenced identity, and promoted the respect of nature.

Here are some pictures of traditional Chinese instruments of the past that still exist today:

The original uploader was Zzjgbc at Chinese Wikipedia. – Transferred from zh.wikipedia to Commons. From the Tomb of Marquis Yi of Zeng, dated 433 BC, during the interregnum between the Spring and Autumn Period and Warring States Period of ancient China.

The original uploader was CharlieHuang at English Wikipedia. – Transferred from en.wikipedia to Commons by Shizhao using CommonsHelper.”Jiuxiao Huanpei” 《九霄環佩/九霄环佩》€‹, the famous Tang Dynasty qin in the Fuxi form by qin maker Lei Wei. Image from a photograph from a friend in China.

Original photograph by: Christopher Hsia – Cropped from the original photograph: Flickr: Even more Guzhengs (古箏) Guzheng instruments on display.

A comparative table of Gongche notation and other notations, from a book published in Kyoto in 1909. In Japan, Gongche notation became widespread to a certain extent.

Yale University Art Museum – https://artgallery.yale.edu/collections/objects/92412. A Se (Chinese zither) from the 5th-3rd century BC with four pegs. Red and dark lacquer with carved textures. The strings have decayed.

Many Western European musicians do not consider Chinese music real music, some have even considered Chinese instruments quite easy to learn because of the Wu Yin 五音 or Pentatonic scale consisting of 5 notes. Some of the musicians I spoke to even went as far as saying that Chinese music lacks harmony and so on. These enthusiasts and musicians lack knowledge, and are ignorant to the facts, and ignorant to what it takes to be able to even create a beautiful sound on an instrument. Piano is made easier with keys, but when playing masterfully on an instrument like Er Hu 二胡 (Chinese fiddle), it can take years and years to master the techniques of just 2 strings. The Guzheng 古筝 is also incredibly difficult to master, it can take years to refine the many very complicated techniques on the instrument. If Music theory is the study of practices and possibilities of music, we should also include the practices and possibilities of non European music.

Jarrelle

Black Urban Buddhist Hermit: The Journey Into Stillness Part 2

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Photo: Yulin Cave 10, Western Xia, (1036-1227 C.E.), Wikimedia ( Apsara plays the zheng)

Going to temple every week was always quite exciting. The bells, the incense, the chanting and the strong community all together brought an incredibly warm and spiritual experience. I’ve always thought of ordaining as a buddhist monk, but the opportunities to ordain are not easy to come by. To ordain as a monk takes commitment, devotion and hard work, and is certainly not an easy life. There are many paths into a deeper stricter practice, the practice of studying buddhist literature, the practice of studying ones mind, studying ceremonies etc. These different practices can take us deeper into our spiritual journey. For me, learning the guzheng has brought me closer to my spiritual journey, in a very interesting way it has also brought me closer to my ancestors as well, and the same is true for my buddhist practice. Each time I give an offering I think of my ancestors and relatives, the world and everything and everyone. Giving offerings with a pure heart, with ones mind on those who experienced injustices can be a powerful way of healing from the generational traumas of slavery and white supremacy.

After nearly 10 years of inquiring to the abbots, monks, nuns and the Buddhist community about ordination, I was finally accepted into 4 monasteries. It was super exciting, I felt happy and peaceful however still a part of my heart was telling me to stay in Minnesota. I had an opportunity to study with a high ranking Lama in a Tibetan monastery, a couple of Zen masters in Vietnam and also with the monks in California and Kentucky. Through the intense studying, reciting scriptures and meditation, I’ve found even more of myself and what I needed for my practice in this lifetime, and that was mostly solitude. Without leaving behind my faithfulness to the Buddhist monastic tradition, I decided that I needed to meditate and practice in such a way that I can also benefit the Black community in the present moment and in the future. Talking with others about the black buddhist experience is always interesting, many people do not believe we actually exist, or they think its a “trendy phase”. No, we do exist, and our experiences, and perspectives are also valid. We exist in every lineage, in every language, in the north, in the east, south and west. However small the percentage of black Buddhist practitioners may be we will still hold together through love and the black buddhist experience. No matter the distance, or distance in time, it is our hearts and the goals we have that will bring us together in a community of love.

Through this journey into stillness I have understood silence, and it was in this silence that I realized music is also quite sacred, and the Guzheng is just that. Focused, with a heart of love, if your art calls to you, listen. Art is what brings all walks of life together, it is healing, it is emotion, it is history and it is the key that unlocks many gaps, distance, borders and barriers. I hope my new original compositions that are in the works bring a moment of stillness, peace and beauty to anyone who listens. I hope that these compositions will also build a strong basis of material for the African American Guzheng musicians of the future. The world may not see you yet, but I, Jarrelle Barton do.

Jarrelle

Black Urban Buddhist Hermit: The Journey Into Stillness Part 1

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I have always been fascinated by the mystics and sages who sought peace in the forests, caves, and mountains. They felt in their hearts a need, an urgency for some time alone. Some may seek solitude to be closer to god, some may seek solitude for meditation and others may seek solitude as a lifestyle. Sometimes these reasons may mend together, and it may be a stillness that we all could benefit from at times. Our lives in the modern world are incredibly busy, and we may not always have time to even make lunch, sweep the floor, or even bake our favorite homemade desserts that we enjoy! We push our needs aside at times, always watching the clock, to stay on top of life, and all the while something within us says ” I need a break” or “I need a retreat”.

When I was about 13 years old my grandmother gave me a book called A Garden of Chinese Serenity, Reflections of a Zen Buddhist. The book has many short Zen, Tao and Buddhist poems written by the 17th century Chinese author Hong Zicheng in 1590. One of the poems that really intrigued me was about flowers and bamboo. Here is the poem written by Hong Zicheng.

Flowers display their beauty to the bright spring. But when they are pounded by a downpour of rain and a gust of wind, they are hastened back to dust. Bamboos persist in the integrity of their elegance. Even though they are beaten by frost one morning and snow another, they remain true to their green jade hue.

~ Hong zicheng

It was poems like this, Zen poems and Tao poems that would eventually inspire my musical expressions on the Guzheng. As an urban kid, never having left the USA, the only real bamboo I saw was the bamboo at Wal-mart, my mind could only imagine how great a forest of timber bamboo would be. How beautiful it would be to see with my own eyes the beauty of their green jade hue, and to hear the wind blowing through the bamboos leaves. I feel that in order to truly play the Guzheng one must truly learn from nature first. When I studied with my teacher ( Laoshi) Master Li Jiaxiang, he told me to go outside and listen to nature. It was difficult to hear the stillness of nature in a suburb with cars and horns honking. However, I did find a gazebo on the lake where I would practice and listen to the little bit of nature that was there.

Some years later a new Vietnamese Buddhist monastery was built in my neighborhood, a Vietnamese Buddhist friend of mine knew that I was a practicing Buddhist and he suggested I go check it out. It was perfect timing actually, because there was a big event there, the Jade Buddha was traveling to all the temples across the world and it was a lucky day to visit a Buddhist monastery and see the jade Buddha for the first time. I was welcomed there, and eventually became friends with the monks, nuns and the community. Over the years I learned a lot about Vietnamese Buddhism. I learned how to chant some of the sutras and mantras, Vietnamese Buddhist customs and cultural traditions and how to prepare yummy traditional An Chay or Vietnamese vegetarian foods. These beautiful moments shared with a community that still practices the Buddhist way of life truly brought me a sense of happiness. We can all learn so much by taking time to learn with people from other cultures.

Jarrelle

Bicultural Cooking

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“Deep medicine, for us, is the understanding that health can no longer be viewed as something we can try to get as individuals. We have to understand that health must be attained in the context of our communities, of our families, where we are in our societies, and in relationship to the web of life.”

Dr. Rupa Marya, co-author of Inflamed: Deep Medicine and the Anatomy of Injustice. 

We all have those fond memories of cooking with mom or grandma, hearing the stories of their times, and bonding together with family. If you come from a BIPOC AAPI background these moments can be even more precious in that those very stories shared around the wok, or at the dinner table while canning veggies are often stories of survival in a very different time. Those were the stories of our grandparents fights for freedom, and there is a lot of history and treasure in that. I grew up in a southern baptist home, soul food was all we knew. My great grandmother was widowed at that time, and she remembers life living on the farm down south in Arkansas. She was a very strong and wise woman, very spiritual. She’d often go back in time and tell the stories of how she had to pick cotton, feed 11 kids and her husband and take care of a farm! I was always amazed and could envision this little tiny southern lady doing all of that, and mostly all by herself!

I was pretty much raised on soul food (southern rich and tasty food made with love) however, I did enjoy the Americanized version of sweet and sour, or the famous fried rice from take out places ( now my taste buds have refined, thank you Li Mei). I was always in the kitchen, sometimes I still am! I remember learning how to cook from my great aunt. I learned gardening, how to make southern gravy, how to fry chicken etc. Cooking became a meditation for me and it was always fun to eat the reward if it turned out ok!. Looking back on life now, and looking at my dinner table today, I can see how food has shaped my life. The bowl of jiaozi ( dumplings) remind me of my Guzheng instructors wife, I remember her saying “no green onion, always use garlic chive”, the cake reminds me of my great grandma who made the best southern yellow cakes and the stir fries remind me of my mentor who I called my Chinese mom, she was the main one I learned Chinese cooking from. Many recipes I learned on my own as well, however it’s learning with others that really stands out and becomes more meaningful.

Thoughts:

  • How has your bicultural cooking shaped your life?
  • Does cooking certain dishes have significance to you? If so, how?
  • Have you learned any dishes from your family?
  • In what ways is bicultural cooking healing for you?

There is so much treasure in Bicultural cooking which represents a rich and diverse culinary lineage that spans centuries and continents. We can learn about our cultures and the cultures of our neighbors right at the dinner table, or from cooking with mom and grandma. Today our dinner tables are becoming more global and that is a wonderful thing!

Jarrelle