Tag Archives: advices

What Is Food Insecurity?

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Food insecurity, a pervasive global issue, affects individuals and families across all economic strata, stemming from insufficient resources or restricted access to safe, nutritious food. Its ramifications extend beyond hunger, manifesting in compromised physical and mental well-being, diminished academic performance in children, and increased prevalence of chronic illnesses like diabetes and heart disease. Often synonymous with “food poverty,” it diverges from food shortages, which denote insufficient food supplies in a given area. Rather, food insecurity arises from economic challenges such as poverty or unemployment, rendering existing food resources inaccessible to certain demographics.

Food insecurity has a deeply rooted history in the United States, stretching back to colonial times when farmers grappled with erratic harvests. The Great Depression of the 1930s amplified this issue as widespread job losses left many without means to feed themselves. President Lyndon Johnson’s declaration of a “war on poverty” in the 1960s highlighted the nation’s growing concern over food insecurity, which has since remained intertwined with poverty. Presently, over 40 million Americans, roughly one in eight households, face food insecurity, impacting diverse demographics such as children, the elderly, low-wage earners, rural residents, and racial minorities. Moreover, women bear a disproportionate burden of this challenge.

Signs of Food Insecurity

Signs of food insecurity encompass skipping meals, reducing portion sizes, facing trade-offs between food and essential expenses like rent, and turning to food assistance programs for support.

Below, Verywell Mind has compiled a list of the most common signs of food insecurity:

  • Shifting meal patterns—skipping meals, eating smaller meals, or relying on less expensive items like macaroni and cheese instead of healthier foods
  • Inability to store food—food may spoil quickly due to lack of refrigeration or other storage solutions.
  • Low energy levels—lack of nutritious foods can lead to fatigue, headaches, and other health issues.
  • Worrying about running out of food—constant concern about having enough food for the family.
  • Physical changes—weight loss or gain due to insufficient access to healthy diets.

Tips for Reducing Food Insecurity

Verywell Mind has also listed suggestions for individuals and communities seeking to alleviate food insecurity:

  • Support food banks and other organizations that provide meals or groceries to those in need.
  • Encourage local businesses to donate unsold items to food banks or other organizations.
  • Advocate for public policies that prioritize access to nutritious foods in areas where food deserts exist.
  • Volunteer at soup kitchens, shelters, or other local organizations providing meals for the hungry in your community.
  • Educate yourself and others about the signs of food insecurity and how to identify it in your own life or that of another person.
  • Start a community garden to provide fresh fruits and vegetables to those in need.
  • Donate money or other items (e.g., canned goods, non-perishable foods) to organizations providing meals for the hungry in your community.
  • Create a support system of family members, friends, neighbors, and co-workers who can help provide resources or meals when needed.
  • Provide emotional support and understanding to those going through food insecurity—listen without judgment or offering unsolicited advice.
  • Encourage public discussion about food insecurity—raise awareness by starting conversations with friends and family about the issue.


Food insecurity poses a significant global challenge, impacting millions and causing profound physical, mental, and social hardships. Engaging in actions like donating, volunteering, advocating for policy reform, and establishing support networks can significantly alleviate this issue for affected individuals and families. If you or someone you know is experiencing food insecurity, seeking assistance from organizations such as Feeding America can offer valuable support and resources.

Reference:https://www.verywellmind.com/what-is-food-insecurity-7097382

The Versatility of Buddhist Cuisine

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Rooted in compassion for all life, non-violence, and mindfulness, Buddhist cuisine is one of the hallmarks of vegetarian cooking. As Buddhist practice traveled across Asia and to the West, the doctrines influenced the diet of the Buddhist community, creating a colorful and harmonious culinary culture. In some Buddhist communities there are quite strict dietary regulations that must be observed, such as not eating any strong or pungent vegetable or seasoning. This means that onions, garlic, leeks, chives, shallots, and ginger, would not be used. In other sects these flavors are acceptable so as long as they are used sparingly, or to just add enough flavor, nothing to excite the taste buds too much. Regardless of what is used, so as long as it is prepared mindfully and for the benefit of sustaining life it is acceptable.

Many Buddhists in the Theravada tradition eat meat, however some also observe a vegetarian diet as well. One surprising fact is that the Buddha was not actually a vegetarian, he did eat meat only if it were offered to him. In China, tofu became a major source of protein for the Buddhist communities practicing the Mahayana tradition. Tofu is packed with nutrients, protein, and iron, it’s also flavorful and very filling too!. When mashed it can be used in mock meat dishes, when sliced it can be fried, hence the reason it’s such a popular choice food among vegetarians across the world. Some studies have shown that tofu can even reduce the risk of cancer and heart disease.

Vietnamese Buddhist cuisine is light and refreshing, and also uses lots of tofu. In vietnam many kinds of mock meats are made by using dried tofu skins and wheat gluten (Mock duck). One very versatily and exceptionally yummy vegan dish is Vietnamese vegan ham. This mock ham has a light flavor, with hints of black pepper and essence of bamboo leaves. Its often eaten on it’s own or in banh mi, noodles, and soups. If you have never tried Buddhist cuisine immerse yourself in your local Buddhist communities, there is a wealth of knowledge that has survived generations. Buddhist chefs have mastered the art of mindful cooking, this way of preparing ones meals can be helpful in our daily lives, it teaches us that we can prepare a lot with just a little, and to appreciate the food as nourishment for the body, mind, and the heart.

The Beauty of Asian American Art

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Asian American art tells a story of pride, history, culture, and identity. It beautifully weaves cultural diversity and fusion, embracing the three times, present, past, and future. It tells the stories of families, of philosophy, and also it expresses the strength and resilience of the AAPI communities. Within this unbroken view, Asian American art also expresses the cultural identities of East Asia, South East Asia, South Asia, and beyond, welcoming collaboration from many cultural diasporas. In this blog post we will highlight the beautiful art of a few AAPI artists.

“Art has really been the way I have been able to understand both cultures, and to undo the wrongdoing of both cultures.”

~Bernice Bing, abstract/expressionist painter

Brenda Chi

“I am currently comforting and celebrating my AAPI heritage through food, celebration of AAPI culture, language, and my family. This can also be seen as a self-portrait, as much of my identity is being an AAPI artist, so everything connects. This illustration features some of my favorite childhood foods, listening and speaking in Cantonese, celebrating my ancestors’ beauty through my self-expression, burning joss paper, praying to my family to wish us well, gratitude to my family, and claiming my space as an American Born Chinese (ABC) woman. This piece is inspired by vintage Chinese cigarette advertisements, which I’ve interpreted into a more intentional Chinese American illustration, with colors inspired by Cantonese Rose patterned porcelain. As a second generation Chinese immigrant, I often find myself researching my own Cantonese heritage as much hasn’t been taught to me. As I create this art, I am also learning about my AAPI heritage, which I think is really healing for anyone in Asian diaspora.”

Brenda Chi is a multidisciplinary artist and art director based in Los Angeles. View more of Brenda’s work here: Portfolio / Instagram.

Ameena Fareeda / Eye Open at the Close

“Growing up Indian-Asian American, there were many instances in which I struggled with connecting to my identity. I would feel as though I played tug-of-war with my own Asian and American personas. As I got older, I learned to appreciate my culture and identity as a proud Asian American. The peacock is the national bird of India which symbolizes race, pride, and beauty. A peacock’s feathers are truly iconic. They spread not only for mating purposes, but also for means of boasting and protection. The feathers’ resemblance to eyes are known to be a symbol to ward off bad luck and attract positivity.

Eye Open at the Close represents how I navigate in today’s society as an Indian-Asian American. In light of the recent increase in hate crimes towards the AAPI community, it is vital to preserve and uplift the diversity, strengths, and uniqueness within the community. Eye Open at the Close raises awareness to the public eye and expresses how strong and beautiful the AAPI community truly is.”

Ameena Fareeda is an illustrator and designer based in Silver Spring, Maryland. View Ameena’s work here: Portfolio / Instagram.

Eunsoo Jeong / Koreangry

“I’ve been making zines since 2016, and it has been my way of expressing myself. It started as a means to cope with my anxiety and depression but over the years, I’ve gained the confidence to own those narratives and turn it into humor. As a formerly undocumented immigrant, I had a hard time connecting with my identity as an Asian American, because I didn’t see many undocumented Asian Americans and didn’t know how to celebrate or to have pride within myself. In early 2020, I published Koreangry zine issue #8, that featured my Korean American history timeline after conducting self-driven research to understand and see what my roots were in this country. This showed me different perspectives on how we can define our identities regardless of what we are told to believe based on our immigration status in this country. By making zines based on my life experiences, I was able to connect with lots of AAPI folks across the country who could relate to my stories. During the grueling pandemic year, I felt isolated and lonelier than usual. Throughout that time, I pushed ideas that may challenge our AAPI communities (confronting anti-Blackness, defunding police), provided educational and informative comics (know your rights during protests, bystander intervention), and shared vulnerable confessions of my struggles and experiences living in this country today.

This artwork is a collage of my yearning desire to do ‘good’ despite the challenging struggles of being an immigrant today during the pandemic––the pressure of being a good, kind, nice, humble, grateful, by-the-book immigrant. Sharing my story through zine-making is how I connect with other AAPI groups, by accepting and rejecting, challenging, rebuilding, and redefining what our identities could be.”

Eunsoo Jeong is an artist based in Los Angeles. View more of Eunsoo’s work here: Portfolio / Instagram.

By creating art we honor our ancestors, respect our cultures, and learn about other cultures. Creating art is a way to promote peace and freedom of expression. It joins forces, strengthens roots, and leaves a wider and beautiful landscape for future generations to enjoy. Art is our voice, heart, and soul, to create art means to be present with all of who you are.

Heritage Art Vocabulary in Mandarin

  • 艺术 ( Yi shu ) – Art
  • 文化 ( Wen hua ) – Culture
  • 画画 ( Hua hua ) – Drawing
  • 戏剧 ( Xi ju ) – Drama
  • 表演 (Biao yan) – Performance

Reference:https://www.yesmagazine.org/social-justice/2021/05/28/asian-american-artists-aapi-heritage

Healing Through Art

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Healing can take many forms, through movement, through sound, or through visual expressions; art has been used to speak when words can not. Since the Covid-19 pandemic many Asian Americans have taken up different forms of creative and artistic approaches in combating trauma and fostering healing. In this blog post we will share a few pieces of visual art that paints a picture of hope, healing, and identity.

Nicole Kang Ahn (b. 1988)
Remembrance, 2022
Digital print on Polyvinyl Chloride (PVC)

Remembrance is based on a photo taken by the artist during a visit to the makeshift memorial at Gold Spa in the days following the shooting. It captures a moment of quiet reflection – a young girl and her grandmother lean on each other for support, surrounded by flowers and handwritten dedications. It is a reminder that while our wounds are intergenerational, so too are the ways we show caring and healing. 

“I wanted to first remember the victims.” 

Nicole Kang Ahn (b. 1988) is a painter, illustrator, and muralist from Peachtree Corners, Georgia. Her art means to slow down time and capture mundane moments, savoring each feeling and memory. Her three pieces included in this collection seek to tell a story that remembers the victims, honors their lives, and conveys a message of hope.

Image Description: This artwork is about remembrance. This is an illustration of the Gold Spa store front where an altar of community notes and flowers are sprawled across the front of the spa and an elder with short dark hair, a brown long sleeve shirt, and brown bag is kneeling and embracing a young child with brown shoulder-length hair, wearing a purple long sleeve shirt looking towards the altar. The Gold Spa was the site of one of the shootings that took place on March 16, 2021.

Natalie Bui (b. 1992)
Community Care, 2022
Digital print on Polyvinyl Chloride (PVC)

In Vietnamese, the expression “chia buồn” is used to express condolences. “Chia buồn” literally translates to “divide sadness.” The expression captures the act of dividing grief – of cutting it into small, little, pieces to split among each other so that each of us individually carries a much lighter load. Community Care shows four figures locked in a comforting embrace. Their limbs are entangled and each person leans on the collective, both resting upon and supporting those around them. 

Community care requires us to harness our power, privilege, and empathy to uplift the people who are both in and out of the reach of our embrace. In the wake of the anniversary, this piece inspires us to recommit to expanding and deepening our community of care for all, beginning in Atlanta and spreading throughout the country and the world.

“We were talking about a traumatic moment within our movement. But also trying to balance the acts of community care when these moments happen.” 

Natalie Bui (b. 1992) is a Vietnamese American digital illustrator and co-Founder of SHIFT – a diversity, equity, and inclusion consultancy. Her work centers on self and community empowerment and emphasizes collective liberation across communities.

Image Description: The theme of this artwork is community care with four women embracing one another and the words “CAN I HOLD YOU?” below the image. The women appear with different hair styles in different shades of purple and different shades of orange, pink and red on their skin. There are shades of purple and blue leaves coming out from behind the two women at the end of each embrace and shades of orange, pink, purple and magenta flowers on the women’s skin. The backdrop of this image shows a gradient of orange and pink flowers.

Nicole Kang Ahn (b. 1988)
Solidarity, 2022
Digital print on Polyvinyl Chloride (PVC)

In this illustration, a diverse group of people of all races, genders, ages, and dis/abilities is featured in the foreground. They are holding boldly colored signs that call attention to a range of social and political issues that are often framed as separate, but are actually deeply intertwined. The shadowed figures behind them gesture to the powerful histories of resistance and community organizing that came before them. As we mark the anniversary of the Atlanta shooting, this piece reminds us that this tragedy is steeped in layers of oppression and interconnected histories of systemic violence. As such, it is a call to action to come together for a more powerful response rooted in love and solidarity.

“Gather together with other people. Align your issues and your values and do something about it.” 

Image Description: This image is all about racial solidarity with a diverse group of people of all races, genders, ages, and dis/abilities holding signs that read “YOUR ASIAN WASN’T QUIET; NO MUSLIM BAN EVER; WORKERS RIGHTS ARE HUMAN RIGHTS; I CAN’T BREATHE; THE FUTURE IS NON BINARY; PROTECT OUR ELDERS; HANDS UP DON’T SHOOT; ABOLISH ICE; BLACK LIVES MATTER; Stand Up Speak Up; NOT ONE MORE; Smash the Hierarchy; My body, My choice; BUILD COMMUNITIES NOT CAGES.” The people holding up signs appear centered on the image with shades of purple shadows behind them.

The diversity within the Asian community is vast and covers many languages, beliefs, and traditions. By creating art communities join forces in shared experiences, creating a universal language that goes beyond differences. Art unifies diversity within the Asian communities by sharing narratives, personal expression, and one’s own personal journey. Embracing art as a form of healing gives birth to the celebration of one’s own cultural heritage, diversity, and resilience.

Reference:https://www.advancingjustice-atlanta.org/art-exhibit

What We Look Like

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This blog post will share the experiences of, culture, and identity of 11 Asian-American artists.

Violence and racism towards Asian-Americans is not new in the United States, it laid hidden in American society until the Covid-19 Pandemic brought it out, revealing the deeply ingrained hate in the U.S. Many Asian Americans have been blamed for the Covid-19 virus, rising hate crimes and incidents of targeted violence were also on the rise. The term “Asian American” covers many cultures within the Asian diaspora, and it must be noted that these cultures have their own unique traditions, practices, languages, and identities. One can not group all Asian peoples together under one group because there are differences culturally and linguistically. These portraits share the complex expressions of Asian identity, representation, and culture by using art as a vehicle of expression.

“My parents are among many other Asian parents who cannot express their feelings/love straight. Before I grew to understand that, I hardly felt loved. Instead of saying “Good job” my parents would say sarcastically I could be better. After I grew up and absorbed more American culture. I learned to be more expressive, and I started to appreciate my parents’ subtlety of expressing love. It’s quiet but it’s stronger.”

Shuhua Xiong
BORN IN SHANGHAI, CHINA TO CHINESE PARENTS

“My Asian-American experience is defined by memorizing the lyrics to Jay Chou songs without knowing their translations, and learning how to play mahjong, because my Mandarin proficiency starts at Chinese numbers and stops at cardinal directions. The exciting part is that one’s relationship to culture is never clearly defined. It ebbs and flows; it is constantly evolving.”

Gabrielle Widjaja
AMERICAN BORN TO CHINESE-INDONESIAN PARENTS

“Like many children of immigrants, I was taught the value of good work ethics by watching my parents toil and overcome endless hardships. I believe I am celebrating my Asian-American culture and honoring my parents as well.”

Sally Deng
AMERICAN BORN TO CHINESE PARENTS

“Public school was my first exposure to Western customs. I learned English in school and spoke Cantonese at home. I ate cafeteria PB&J for lunch and rice for dinner. I don’t remember a time where the duality of my identity was not on my mind. I felt a stronger desire to return to my roots. It’s a shift I’ve witnessed not only in myself, but in Asian-Americans as a whole. In the last couple of years we have become more visible and more heard. It has made me feel less alone and injected me with more pride.”

Joan Wong
AMERICAN BORN TO HONG KONG PARENTS

“My mother is Chinese, my father is American. I spent my childhood on the tropical island of Taiwan. Years later, when we moved to the States, I would become obsessed with how others would perceive me. In many ways those memories growing up in Taiwan really formed my identity and left a strong impression on who I am today, even after making my own path all these years later. My identity has become one of the things I’ve thought about my entire life.”

Josh Cochran
CHINESE-AMERICAN BORN IN OREGON; LIVED IN TAIWAN

Art is a powerful tool of expression, it can be emotional, it can tell a story. Color and brush stroke fused with the vision of the artist creates a vivid image for viewers to ponder. These portraits capture the life stories, challenges, and cultures of the artist.

Reference:https://www.nytimes.com/2020/06/06/us/coronavirus-race-artists-asian-american-identity.html

RACE AND AMERICA

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Race in America is a complex discussion that has many facets. We can not ignore POC history, we can not push aside the sad and very real issues we are faced with in the USA. Today we are here, we are present, and our goal is to dismantle white supremacy and build a path for all cultures and identities now, and in the future.

THE FACTS:

  • White supremacist disapprove multiculturalism
  • White supremacists only support ” white ” identity
  • White supremacists sometimes use violence and fear to achieve their goals

THE METHOD:

When we are faced with the pain, trauma, violence, and hate of white America it is important that we BIPOC do not give rise to hate within our own hearts, or we become no different than them. It is important that we cultivate our hearts with love, peace, and non-violence in the quest of racial equity. For most of us BIPOC it is frightening to even think of the tragic history of America, and yet alone live today in the aftermath. So the question arises, “how do we end racism in America?”. First of all, you are NOT the problem, it is not your issue, the problem is within the engrained racism in our society and roots of white nationalism. To end racism we must educate, make our voices heard, and promote peace and equity in our new American culture. It may be difficult for some white nationalists to accept culture, this is not the problem of our BIPOC communities, and we should not internalize it, or it then becomes transformed into internalized racism. We can only continue sharing our cultures, freely expressing our identities and living as genuinely true to ourselves as we possibly can. Radiate love and peace, and eventually a cold heart will become warm.

END GOAL:

The end goal for our bicultural Asian American Pacific Islander AAPI and Black Indigenous People Of Color BIPOC communities is to promote the cultural message of acceptance, love, understand, and appreciation. Many of us come from different cultures and in many ways socially as well, but this does not mean that we disassociate with our neighbors. Many of us have cultural ties to countries that are incredibly diverse and have long histories of peaceful cultural interactions and exchange. Our goal is to appreciate and to embrace the differences, so we can create a better future together.

References: https://www.britannica.com/topic/white-supremacy

Music Theory And White Supremacy

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Heavenly music is interpreted differently by everyone.

Chinese proverb

Any music student, regardless of skill, will most likely have to learn western music theory. What is music theory?, well, Wikipedia says “Music theory is the study of the practices and possibilities of music.”~ Wikipedia. Across the globe civilizations have been playing some form of music for quite a long time. Music has been a part of human evolution since the start, was it called music at that time? probably not. But, this does not mean that humans did not relax to the sounds of song, instrument, or percussion. Music can be found in every culture, sometimes it takes form in ceremonies, or it may have been enjoyed for leisure, whatever the case we can say for certain that music does exist in all cultures.

As an African American Guzheng performer, instructor and composer I often meet many musicians, some who are quite skilled in their music, and very knowledgeable in music theory. My training on the Guzheng was quite traditional, I did not learn Western music theory (which is forced on every musician today), I learned Chinese music theory. China has a very long musical tradition which has been documented and practiced for thousands of years. For example, the Guzheng 古筝 has existed for around 2500 years, the Guqin or 古琴 around three thousand years old, and the bronze bells 编钟 around 3,600 years old, and the Se or 瑟 of the Zhou dynasty 1045–771 BC. The list of ancient instruments in China is long, and notations for these instruments have been documented. Unlike the Western European music theory which uses a staff and dots to read, the Chinese developed an ancient thousands of years old numeric musical notation called Gong Che or 工尺 which is still used among the very small group of traditional musicians today. With modern westernization, traditional arts are transforming, some traditions are also dying. We must think about the importance of cultural arts, and not allow the modern world to kill what has held nations together, influenced identity, and promoted the respect of nature.

Here are some pictures of traditional Chinese instruments of the past that still exist today:

The original uploader was Zzjgbc at Chinese Wikipedia. – Transferred from zh.wikipedia to Commons. From the Tomb of Marquis Yi of Zeng, dated 433 BC, during the interregnum between the Spring and Autumn Period and Warring States Period of ancient China.

The original uploader was CharlieHuang at English Wikipedia. – Transferred from en.wikipedia to Commons by Shizhao using CommonsHelper.”Jiuxiao Huanpei” 《九霄環佩/九霄环佩》€‹, the famous Tang Dynasty qin in the Fuxi form by qin maker Lei Wei. Image from a photograph from a friend in China.

Original photograph by: Christopher Hsia – Cropped from the original photograph: Flickr: Even more Guzhengs (古箏) Guzheng instruments on display.

A comparative table of Gongche notation and other notations, from a book published in Kyoto in 1909. In Japan, Gongche notation became widespread to a certain extent.

Yale University Art Museum – https://artgallery.yale.edu/collections/objects/92412. A Se (Chinese zither) from the 5th-3rd century BC with four pegs. Red and dark lacquer with carved textures. The strings have decayed.

Many Western European musicians do not consider Chinese music real music, some have even considered Chinese instruments quite easy to learn because of the Wu Yin 五音 or Pentatonic scale consisting of 5 notes. Some of the musicians I spoke to even went as far as saying that Chinese music lacks harmony and so on. These enthusiasts and musicians lack knowledge, and are ignorant to the facts, and ignorant to what it takes to be able to even create a beautiful sound on an instrument. Piano is made easier with keys, but when playing masterfully on an instrument like Er Hu 二胡 (Chinese fiddle), it can take years and years to master the techniques of just 2 strings. The Guzheng 古筝 is also incredibly difficult to master, it can take years to refine the many very complicated techniques on the instrument. If Music theory is the study of practices and possibilities of music, we should also include the practices and possibilities of non European music.

Jarrelle

Sharing Culture

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Art by Nick Slater

Without culture what would our world be like? It’s hard to imagine isn’t it?. Perhaps it’s hard to imagine a world without culture because a world with culture is essential. Our cultures are all very colorful, woven into our human experiences as a fabric, and very much important to us as human beings.

“Culture is a way of coping with the world by defining it in detail.” 

Malcolm Bradbury

Culture is an important aspect of human life, and it plays a crucial role in how we shape our individual and collective identities. Culture provides us with a sense of belonging, purpose and meaning, as it embodies the values, customs, beliefs and practices that are shared within a community. Culture can also serve as a medium for expression and communication through shared experiences, and also influences our society in many ways. Our communities and ourselves as individuals are also shaped by culture, hence culture is very important.

Sharing our cultures can reward us with many benefits that can improve how we better understand others with cultural backgrounds different than our own. By sharing our cultures we inspire new ways of expression and appreciation, and we learn to accept differences in traditions and different ways of life. When cultures are shared, horizons become broader, and more understanding and less conflict is created. When we share culture, new ideas are also born, new music and arts are created, and different perspectives are also shared. Sharing cultures creates paths and opens doors for many sincere hearts to learn, study and practice traditional arts, revitalize traditional arts and keep alive ancient customs, languages and traditions.

There are different ways of understanding, and by sharing culture we learn this. Our way may look like its the only way, however we must step back sometimes and simply listen and observe other ways that are different than our own, we may even find a lot in common. We can break down racist stereotypes, and end discrimination by sharing cultural family stories, and educating people about our cultural history. We are all living on this planet together, as one family under the sky and clouds, let us live happily, colorfully and beautifully unique.

Jarrelle

Intercultural Communication

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Cultural differences should not separate us from each other, but rather cultural diversity brings a collective strength that can benefit all of humanity.” Also: “Intercultural dialogue is the best guarantee of a more peaceful, just and sustainable world.

Robert Alan Aurthur

Our world is vast, our experiences, identities and ways of expression vary from individual to individual and sometimes it can be difficult for people to communicate with each other. There are verbal and non verbal ways of communication, and at times we greet others with a handshake or with a bow, depending on how and where we were raised. It can be easy to offend someone, or totally lose communication, or other opportunities all by that first greeting gesture and this is why learning about intercultural communication is important.

Interculturality refers to the interaction and exchange between different cultures with the goal of promoting mutual understanding, respect and appreciation. It recognizes the complexity of cultural diversity and the importance of creating inclusive environments that value and celebrate different cultures. Interculturality is something that goes beyond tolerance and aims at creating a space where individuals from different cultures can learn together and work together in shared goals. Now, when we speak of intercultural communication we are talking about how to communicate with others in or from different parts of the world who’s backgrounds may be greatly different than our own. Intercultural communication is about having respect for people who’s cultures are different than ours, having a curiosity about their cultures, and learning about other cultures and customs.

Ways that Intercultural communication benefit society:

  • Promoting mutual understanding and respect
  • Enhanced creativity
  • Enhanced personal and professional development
  • Stronger communication skills
  • Promotes social connectedness and shared identity among cultures
  • Breaks down barriers and unites with a common goal
  • Appreciation of differences
  • Gives us skills to handle complex issues regarding culture and communication

On our mission of creating a more equitable and just society we need to not forget how to listen. We must learn when to be silent, think, feel, process and understand before speaking, and this is especially helpful when discussing things like politics, race, identity etc. Many of our global problems are all caused by lack of understanding, lack of appreciation for each other. If we can flip the switch and learn how to communicate with each other, we would learn a lot about ourselves as well, and bring more love and peace into our world. If we can educate ourselves of different cultures, make the effort to actually learn, we would unlock more communication skills that can allow us to communicate more fluently with others as well. It would be incredibly beautiful to see a world who sees their neighbors as friends.

Jarrelle

Reference: https://en.wikipedia.org/wiki/Intercultural_communication

Phases of The Moon

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Photo  Wikimedia Commons

In Asian Buddhist countries that follow the lunar calendar, those certain days depending on the phases of the moon are considered to be sacred and holy days. Those days are called Uposatha Observance Days. On Uposatha days we Buddhists practice even more seriously, even more intensely. We try to eat healthier, more mindfully eating and preparing food. We try to practice meditation with more focus, and also do more spiritual reading. We practice giving, and also compassion and selflessness. These moon phase days or ( Uposatha Days) are considered to be sacred because they relate to the Buddhas life achievements which were all on full moon days. The Birth of the Buddha was on a full moon day, his renunciation also took place on a full moon. He achieved Enlightenment on a full moon day, taught his first sermon and also passed away on full moon days. 

Slight is this perfume
of tagara and sandalwood,
best the perfume of the virtuous
blowing even to the devas.
The perfume of flowers does not go against
	the wind,
neither that of sandalwood, jasmine, or tagara:
but the perfume of the virtuous does go
	against the wind.
The good man suffuses all directions,
Sandalwood or tagara,
lotus or the jasmine great —
of these perfumes various,
virtue's perfume is unexcelled.
Buddha

Many Buddhists practitioners visit temples or monasteries on these sacred Uposatha days. They go to practice with the monastics who are also observing Uposatha more intensely, they also go to practice in a monastic way for a day. There are so many healthy benefits of observing sacred or holy days, practicing alone is good as well as practicing with a community. Some people need their space, and others do better and can study better with a community, however you practice though it doesn’t matter so as long as you practice working on the ( Inner Work), this is what’s important. The Buddhist Uposatha days are supposed to bring us peace of mind, joy, happiness, and less stress. I have found that by observing the practices, living more mindfully and eating vegetarian foods, one can achieve a certain inner peace.

Just like in practicing an art form or a skillful craft, practicing peace and compassion also rewards us with peace. When we can take time to focus on what brings us peace, whatever healthy practices we may have, not just Buddhist practices but any practice, we can come closer to that peace we seek in our lives. Turning this practice into a lifestyle practice reminds us to take time to focus on our mental health needs, to eat healthy and to have time to just breathe and relax. Even if someone doesn’t practice the Buddhist traditions, there is still so much beneficial material that can be applied into ones daily life.

Questions to contemplate

  • what hours of the day do I feel most relaxed?
  • What healthy foods do I enjoy eating that leave me feeling healthy and full?
  • How can I create a more relaxing and peaceful environment in my home?
  • What meditation practices bring me peace?
  • How can I practice in a way that liberates me and brings me peace?

You can read more about Buddhist practice here: https://www.accesstoinsight.org/lib/authors/khantipalo/wheel206.html

To read about Uposatha Observance check out this link: https://www.budsas.org/ebud/whatbudbeliev/217.htm

May each day be peaceful!

Jarrelle