Category Archives: AAPI Communities

Art of Asian Baking

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Photo credit: tastylittledumpling.com

Everyone can agree that desserts are amazing! You may enjoy super sweet, or just a bit more savory, either way, Asian desserts has you covered! Asian baked goods bring the traditional flavors of the East with the flavors of the west, creating a variety of yummy treats to satisfy your cravings. This culinary fusion binds cultural traditions that are groundbreaking and innovative, bringing new flavors, ingredients, and artistry to the art of baking. In this blog post, we will highlight the tasty wonders of Asian baking.

For many Asian Americans, Chinatown bakeries bring back nostalgic memories. Here in Minnesota Keefer Court became a much beloved Chinese bakery, serving world class Hong Kong baked goodies. Almost everyone I talked to asked ” Have you been to Keefer Court, their pastries are amazing”, so, what did I do? Got on my shoes and headed that way! I remember being greeted with warmth and hospitality, and the wonderful fragrance of Chinese pastries as well! I ordered their mooncakes, which at that time I think had lotus seed filling, I also ordered pineapple buns. Yum yum yum, the first bite is pure satisfaction! Luckily, Keefer Court will be opening again at Asia Mall in Eden Prairie, Minnesota.

In Vietnam there are colorful and refreshing desserts such as bánh bo nuong which is a type of Vietnamese sponge cake, usually made with rice flour, tapioca starch, pandan, and coconut cream. This sponge cake has a honeycomb like appearance when cut, hence the common name “Vietnamese honeycomb cake”. Many Chinese bakeries have mooncakes with a variety of fillings, some being more traditional, like lotus seed, red bean, or salted duck egg, while others are a bit more modern and experimental. This fusion of tradition and cultures creates a timeless tapestry that will inspire minds and satisfy the sweet tooth for many years to come.

What We Look Like

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This blog post will share the experiences of, culture, and identity of 11 Asian-American artists.

Violence and racism towards Asian-Americans is not new in the United States, it laid hidden in American society until the Covid-19 Pandemic brought it out, revealing the deeply ingrained hate in the U.S. Many Asian Americans have been blamed for the Covid-19 virus, rising hate crimes and incidents of targeted violence were also on the rise. The term “Asian American” covers many cultures within the Asian diaspora, and it must be noted that these cultures have their own unique traditions, practices, languages, and identities. One can not group all Asian peoples together under one group because there are differences culturally and linguistically. These portraits share the complex expressions of Asian identity, representation, and culture by using art as a vehicle of expression.

“My parents are among many other Asian parents who cannot express their feelings/love straight. Before I grew to understand that, I hardly felt loved. Instead of saying “Good job” my parents would say sarcastically I could be better. After I grew up and absorbed more American culture. I learned to be more expressive, and I started to appreciate my parents’ subtlety of expressing love. It’s quiet but it’s stronger.”

Shuhua Xiong
BORN IN SHANGHAI, CHINA TO CHINESE PARENTS

“My Asian-American experience is defined by memorizing the lyrics to Jay Chou songs without knowing their translations, and learning how to play mahjong, because my Mandarin proficiency starts at Chinese numbers and stops at cardinal directions. The exciting part is that one’s relationship to culture is never clearly defined. It ebbs and flows; it is constantly evolving.”

Gabrielle Widjaja
AMERICAN BORN TO CHINESE-INDONESIAN PARENTS

“Like many children of immigrants, I was taught the value of good work ethics by watching my parents toil and overcome endless hardships. I believe I am celebrating my Asian-American culture and honoring my parents as well.”

Sally Deng
AMERICAN BORN TO CHINESE PARENTS

“Public school was my first exposure to Western customs. I learned English in school and spoke Cantonese at home. I ate cafeteria PB&J for lunch and rice for dinner. I don’t remember a time where the duality of my identity was not on my mind. I felt a stronger desire to return to my roots. It’s a shift I’ve witnessed not only in myself, but in Asian-Americans as a whole. In the last couple of years we have become more visible and more heard. It has made me feel less alone and injected me with more pride.”

Joan Wong
AMERICAN BORN TO HONG KONG PARENTS

“My mother is Chinese, my father is American. I spent my childhood on the tropical island of Taiwan. Years later, when we moved to the States, I would become obsessed with how others would perceive me. In many ways those memories growing up in Taiwan really formed my identity and left a strong impression on who I am today, even after making my own path all these years later. My identity has become one of the things I’ve thought about my entire life.”

Josh Cochran
CHINESE-AMERICAN BORN IN OREGON; LIVED IN TAIWAN

Art is a powerful tool of expression, it can be emotional, it can tell a story. Color and brush stroke fused with the vision of the artist creates a vivid image for viewers to ponder. These portraits capture the life stories, challenges, and cultures of the artist.

Reference:https://www.nytimes.com/2020/06/06/us/coronavirus-race-artists-asian-american-identity.html

The Art Of Vietnamese Calligraphy

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Thu Phap, or calligraphy has a long history in Vietnam. In the past Vietnamese used Chu Nom or Chinese characters to represent Vietnamese words. Chu Nom is very complex and is not widely used today. Vietnamese calligraphy is the perfect example of multicultural artistry. The Vietnamese masterfully write latin letters with a brush and ink, bold and thin lines creating a visually stunning art the highlights the beauty of Vietnamese culture. Vietnamese calligraphy was strongly influenced by Chinese calligraphy. During the Ly dynasty the style of writing was very similar to that of China’s Tang dynasty (618-907), and during the Tran dynasty the style was similar to China’s Song (960-1279), and Yuan (1271-1368) dynasties. In the late Le dynasty Vietnam created its own unique style called Nam tu or Southern Script. This script was used for bureaucracy only but then became popular for all writing purposes.

During the Free Poetry Movements Chữ quốc ngữ became popular, creating a new form of art. Thư Pháp embodies the essence of Vietnams rich cultural heritage, evolving into a distinct and revered tradition. Vietnamese calligraphy is not only an artistic practice, it is also a spiritual one. Thư Pháp is about the connection between the artist, the ink, the paper and the word to be written, it’s a balance of spirit and art in perfect harmony. Vietnamese calligraphy holds great cultural and spiritual significance. The beautiful art adorns temples, shrines, and historical monuments, connecting the past and the present. Vietnamese people hold lots of respect for calligraphers in Vietnamese society.

~Photo Credit-VNonline/VietNamNet

Photo Credit- Wikipedia

Today Vietnamese calligraphers use many different materials to write on, wood, glass, and metal can all be used to write Thư Pháp. Sometimes people may even be so inspired by the calligraphy they get calligraphy tattooed on their bodies. This art form has evolved alongside spirituality in Vietnam, making it a profound and sacred practice that is uniquely Vietnamese.

Reference: https://vietnamnet.vn/en/calligraphy-in-vietnam-554557.html https://en.wikipedia.org/wiki/Vietnamese_calligraphy

The Beautiful Art of Korean Gayageum In Modern Times

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GAYAGEUM

Photo Courtesy of Gettyimagesbank

In ancient times the soft, earthy, delicate silken sound of the gayageum (Korean Zither) echoed across Korea. It accompanied singers, dancers and drummers in their artistic collaborations, and now today this ancient Korean instrument has found its way west. The Gayageum has a long history in Korea, once was an instrument played for royal palace celebrations. Scholars believe the gayageum was inspired by the guzheng, which is an ancient instrument from China. In the 19th century the sanjo gayageum was born, Sanjo means “scattered melodies”, which has moments of improvisation and fast tempo. During this time new works were written for the sanjo gayageum which has become the most standard version of the instrument today. The sweet honey like sound of the instrument comes from its silk strings, and the traditional paulownia wood body of the instrument.

Over the course of its long history, construction and the composition of many folk pieces, the gayageum has made its way into the western music world. Dazzling audiences with its rich sound, the gayageum has become a famed instrument across the world. One remarkable aspect of the Korean gayageum is its ability to fuse harmoniously with different instruments, creating an atmosphere of old and new. Contemporary Gayageum performers have gone viral on social media platforms for their new, exciting and innovative works on the gayageum. One of these creative masters is Koreas own, Luna Lee. Check out the groundbreaking work Luna is creating in this video.

With the global appreciation of gayageum music, new collaborations are taking place. These collaborations are paving grounds for future artists and creatives, and also building a cultural base for world music enthusiasts to enjoy today. Many people across the world have taken up learning the gaygeum, and in doing so, also learning new ways of expression for themselves. This global cultural exchange fosters a deep profound appreciation for gayageum, and its relevance in todays contemporary world. The art of gayageum represents a rich and ancient lineage, a balance of harmony and innovation, as well as the timelessness and elegance of Korean tradition.

The Chinese Art of Gourd Carving

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Sculpture by Li Dehua

Many countries across the globe have used gourds for culinary traditions, building instruments and even art! With its durable material, once dried, it becomes perfect for carved sculptures. In China the gourd or Hulu 葫芦 symbolizes fortune and wealth because it sounds so similar to Hulu. The gourd seeds are also a symbol of fertility and productivity. For thousands of years the Chinese have used gourds for carrying water, displays, erasing negative energy, and carvings. Artists use different gourds with unique shapes for carvings, expressing their creativity, skill, and mastery.

It’s said that the gourd is one of the eight treasures of Feng Shui, and bringing one in the home can remove negative energies, illnesses and also attract fortune. The gourd is the symbol of Li Tieguai, one of the eight immortals, who has the power to liberate his soul from his body. This symbol of longevity is very important in Chinese culture, and has influenced this beautiful art form. Records of gourd artwork first appeared in the Ming Dynasty 1368-1644 in history books, and can be traced back to the Tang Dynasty (618-907).

Artists use many techniques of creating art with gourds, painting, carving, shaping and polishing to name a few. The trick to this art form is to not alter the natural shape of the gourd but to instead highlight it’s natural beauty with the use of paintings or carving. The most valuable artworks are those that have not been altered much, showcasing the natural aesthetic of the gourd. Gourd art that has not been altered much has the highest artistic value and is quite prized.

Reference: http://en.chinaculture.org/library/2008-01/22/content_46365.htm#:~:text=Gourd%20art%20involves%20creating%20works,Dynasty%20(618%2D907).

Multicultural Cooking

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With flavors encompassing global culinary traditions, multicultural cooking has become the food of the future. So much of our identities and cultures are tied directly to our food! By learning about foods from around the world, we learn more about ourselves, and we learn a non verbal language that expresses friendship and love. Multicultural cooking brings people together through the language of food and love, enlightening people to new perspectives and enriching our tastebuds with new flavors and textures. The use of different spices, sauces, herbs, and cooking techniques creates a symphonic experience on the palate and opens doors to new rich and ancient culinary cooking techniques.

Food is a way of living, and our food reflects our cultural identities. On different occasions our food may also highlight our cultural and religious values. On Chinese New Year it is common for families to gather together for making dumplings, each dumpling is made by hand, a little pouch filled with love. Sometimes on certain days food may also be offered to ancestors, set on a shrine with incense and candles, prayers and flowers may also be offered in their honor. Many diverse multicultural families will have a colorful array of different foods for New Years, or even for every day meals! For example, dumplings from China, Indian curry, Vietnamese salads, and American BBQ. Every family has their own way, and their own unique ways of preparing cultural foods.

The beauty of multicultural cuisine is certainly in its skillful and innovative use of ingredients and creative ways of blending flavors. When different cultures interact, a new food is born, creating new culinary masterpieces. Home chefs, and professional culinary experts both enjoy experimenting with new flavors and new ingredients, using techniques from different cultures, which leads to an exciting cross-cultural culinary experience.

~Jarrelle

The Multicultural Art of Minnesota

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The twin cities is a culturally diverse place with an incredibly active art scene. Every year in the Twin Cities artists join forces creating incredible multicultural art. The Twin cities is also home to Somali, Vietnamese, Chinese, Korean, Japanese, Tibetan, African American, Mexican, German, Lebanese, Hmong, Thai, Cambodian, Indian ethnicities and more! The Twin Cities is certainly a cultural melting pot of ethnicities.

Over the last 30 years Minnesotas culture has been influenced by recent immigrants who brought their traditional arts, music, poetry, painting, and fabric works to Minnesota. These traditional crafts have fused with the existing cultural arts of Native Americans, African Americans and Europeans. This diverse and collaborative fusion has created a uniquely Minnesotan art culture that may be hard to find anywhere else in the entire world.

Minnesotas rich arts scene continues to embrace multicultural identities in many ways. Through the unique collaborations of artists sharing traditional knowledge a new form is born creating a new path of artistic expression. Minnesotas Art scene encompasses the modern, the avant garde as well as the traditional. With a robust energy, the art of Minnesota has left a landmark in American history.

Reference:https://www.mprnews.org/story/2021/09/17/culture-as-cure https://twin-cities.umn.edu/news-events/community-university-health-care-center-receives-national-award-only-center-its-kind https://mspmag.com/home-and-design/leslie-barlow/ https://www.spmcf.org/blog/art-in-this-moment-indigenous-roots

RACE AND AMERICA

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Race in America is a complex discussion that has many facets. We can not ignore POC history, we can not push aside the sad and very real issues we are faced with in the USA. Today we are here, we are present, and our goal is to dismantle white supremacy and build a path for all cultures and identities now, and in the future.

THE FACTS:

  • White supremacist disapprove multiculturalism
  • White supremacists only support ” white ” identity
  • White supremacists sometimes use violence and fear to achieve their goals

THE METHOD:

When we are faced with the pain, trauma, violence, and hate of white America it is important that we BIPOC do not give rise to hate within our own hearts, or we become no different than them. It is important that we cultivate our hearts with love, peace, and non-violence in the quest of racial equity. For most of us BIPOC it is frightening to even think of the tragic history of America, and yet alone live today in the aftermath. So the question arises, “how do we end racism in America?”. First of all, you are NOT the problem, it is not your issue, the problem is within the engrained racism in our society and roots of white nationalism. To end racism we must educate, make our voices heard, and promote peace and equity in our new American culture. It may be difficult for some white nationalists to accept culture, this is not the problem of our BIPOC communities, and we should not internalize it, or it then becomes transformed into internalized racism. We can only continue sharing our cultures, freely expressing our identities and living as genuinely true to ourselves as we possibly can. Radiate love and peace, and eventually a cold heart will become warm.

END GOAL:

The end goal for our bicultural Asian American Pacific Islander AAPI and Black Indigenous People Of Color BIPOC communities is to promote the cultural message of acceptance, love, understand, and appreciation. Many of us come from different cultures and in many ways socially as well, but this does not mean that we disassociate with our neighbors. Many of us have cultural ties to countries that are incredibly diverse and have long histories of peaceful cultural interactions and exchange. Our goal is to appreciate and to embrace the differences, so we can create a better future together.

References: https://www.britannica.com/topic/white-supremacy

The Japanese Fiddle

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Kokyu

Sounding as if it were weeping from the depths of an eternal dream, or sounding like wind through cedar trees in winter, a maiden is longing for her love, the Japanese fiddle known as kokyu (胡弓) brings a certain emotion to traditional and modern pieces of Japanese music. You may have heard the kokyu and wondered what it was, or have seen pictures of it and wondered what it sounded like. The kokyu is actually quite a rare instrument, and one that is also not too commonly used in Japanese music. Before we talk more about this amazing traditional Japanese instrument lets first have a listen at its unique sound.

Here is a video of a kokyu performer skillfully playing the instrument.

The history of the kokyu began earlier in China from an instrument called the huqin(胡琴). The huqin closely resembles the kokyu in playing method and techniques, however in appearance it is very much Japanese. The kokyu has 3 strings that stretch over the sound body, the finger board, and to the tuning pegs which are used to tighten the strings into place and tune the instrument. Unlike the kokyu’s cousin, the huqin from China, the kokyu uses 3 silk strings instead of just 2. The sound is very refined, very much capturing the sound and essence of Zen. The kokyu is usually played as a solo instrument, however it has been traditionally played with other instruments in duet form, or in ensemble form. Newer styles have been created highlighting the voice of the kokyu and showing the many countless possibilities of the instrument in tone color. Below is a video of the Chinese huqin or the kokyu’s relative, have a listen.

The Chinese Huqin being played by a professional quartet

In present times, the kokyu is gaining popularity amongst music enthusiasts, its sound is melancholic and invokes profound emotions to the listener. Although the Kokyu is gaining popularity it is still very much a rare instrument and virtually unknown to most of the world. By its use in modern works it has been given another path to grow and inspire musicians for many years to come.

Jarrelle

Reference: https://en.wikipedia.org/wiki/Kokyū

Timeless Beauty

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HANBOK

The timeless beauty of traditional Korean dress is taking the modern world by surprise! With its elegant straight and curved lines, meticulously crafted over many centuries, we cant help but be amazed by this stunning visual symphony of a uniquely Korean traditional style. 

Photo Credit: Ahn Young-joon/AP

The Hanbok originated in Korea around 57 BC to 668 AD, and can also be found in the surviving arts of the Goguryeo tombs. The basic design of the Hanbok also originated during that period. The ancient Hanbok included a set of clothing that consisted of a Jeogori (top), Baji (pants), Chima (skirt), Po (coat), Jokki (vest), Durumagi (Winter coat) and the Magoja (overcoat), with the basic structure of Hanbok pretty much remaining unchanged today. In the past, royalty and nobility wore the Hanbok, and commoners wore white or off-white colors of clothing called Minbok which means (clothing of commoners). In present times, modern day Koreans wear Hanbok for special occasions such as weddings, festivals, ceremonies, and celebrations. The South Korean Ministry of Culture, Sports and Tourism established “Hanbok” day encouraging Koreans to wear the traditional dress. 

The modern Hanbok is a term for the fusion of traditional Korean styles and Modern western styles. Modern Hanbok have become a popular fashion statement for celebrities, models and the everyday fashion enthusiasts alike. With this new fusion of tradition and the contemporary, all people regardless of class may enjoy the ancient traditional beauty of the noble Hanbok. Traditionally the patterns and designs on Hanbok consisted of natural scenes, such as flowers, phoenixes and dragons. Today, the Hanbok is going bold with western patterns adding a new style to the centuries old attire. 

Photo Credit: Sportsdonga 

Modern Hanbok offer a highly stylistic fashion choice for any lover of the fabric. With bold colors, straight lines and simplicity, it can be worn with a combination of modern clothes or simply just modern Hanbok on its own! Its up to the fashion, the feel and the flow, but either way, the wearer will certainly catch the attention of the room at any party. Modern Hanbok should still be worn respectfully and mindfully, just as when one would wear traditional Hanbok. You are not simply putting on a T-shirt and jeans, you are wearing a tradition that goes back thousands of years. So, when wearing traditional Hanbok or its modern cousin, always be certain to be respectful so that way you are honoring the legacy and tradition of a highly refined and ancient Korean art. 

Jarrelle 

Reference: https://en.wikipedia.org/wiki/Hanbok

https://mhctc.missouri.edu/exhibitions/beauty-of-korea/